No Names Please!, 2017

“In addition to the series Les Eclaireurs I was commissioned by Prospect.4, the New Orleans biennial to develop a series of portraits of Southern ‘heroes’. They are printed on cotton and intertwined with the histories of (enslaved) black people and Native Indians of Southern USA. They are embroidered with colored beads. The shiny beads refer to Native American and African embroidery but it also paradoxes as a material with the violent histories that are depicted in the portraits. They are like small shiny lotuses creating beauty within a swamp.

Embroidery is also a connotation to white women embroidering innocent images on white clean fabric made of cotton during slavery and later share cropping, while outside black men and women were doing the dirty work on the fields picking the cotton. Embroidering the portraits and penetrating their faces with a needle stands symbol for an act of violent resistance against a dominant and fixed idea of a heroic “white” identity.” – Patricia Kaersenhout

Patricia Kaersenhout
No Names Please!, 2017
beads on printed cotton, lace, wooden dowel, 8 parts
each 48 x 38 cm (PK2017-7)
Patricia Kaersenhout
No Names Please!, 2017
beads on printed cotton, lace, wooden dowel, 8 parts
each 48 x 38 cm (PK2017-8)
Patricia Kaersenhout
No Names Please!, 2017
beads on printed cotton, lace, wooden dowel, 8 parts
each 48 x 38 cm (PK2017-4)
Patricia Kaersenhout
No Names Please!, 2017
beads on printed cotton, lace, wooden dowel, 8 parts
each 48 x 38 cm (PK2017-3)
Patricia Kaersenhout
No Names Please!, 2017
beads on printed cotton, lace, wooden dowel, 8 parts
each 48 x 38 cm (PK2017-5)
Patricia Kaersenhout
No Names Please!, 2017
beads on printed cotton, lace, wooden dowel, 8 parts
each 48 x 38 cm (PK2017-6)
Patricia Kaersenhout
No Names Please!, 2017
beads on printed cotton, lace, wooden dowel, 8 parts
each 48 x 38 cm (PK2017-1)
Patricia Kaersenhout
No Names Please!, 2017
beads on printed cotton, lace, wooden dowel, 8 parts
each 48 x 38 cm (PK2017-2)