Patricia Kaersenhout’s textile works Objects of Love and Desire (2019) depict women in action. This is the second series she produced, after Food for Thought (2018) now with the portraits of Una Marson, Solange Fitte-Duval, Eslande Robeson and Amy Garvey which are rendered in Kaersenhout’s distinctive mode of digitally and traditionally printed fabrics, both hand- and machine-embroidered, with highlights of fine bead-work and appliqué.
Kaersenhout’s selection of these four important black scholars, journalists, poets, activists hinges on their commonalities: all of Caribbean descent, but influential world-wide; all part of communist, Pan-Africanist, and transnational feminist movements; all active in the second half of the 20th century, though largely forgotten or erased from popular memory. Each of these women used her lifetime to fight racism, poverty and general inequality.
These women are again heroically shown, but based on Chinese propaganda posters. Each banner is framed with printed cottons that the artist has collected from the African continent. Intricate bead-work highlights their features. The poems of Una Marson accomany three of the portraits, over-printed with the powerfully symbolic okra flower; and botanical illustrations by Maria Sibylla Merian, a 17th Century German-born naturalist who studied the flowers and flowers of Suriname.
Click here to read the review in the May-issue of Artforum.